EXiT 185 Improv Comedy

Ken Ferguson & Stacey Reed Hanlon share the Herberger Stage.

A recent article shared by Derek Neighbors of Gangplank got me to thinking about my current progress towards the dream of having my own small black box type theatre.  Having been involved with producing shows in a historic theatre that was restored but not necessarily for theatre (another story altogether) I started to question as to the “why” I think it would be a success in my own little community of Casa Grande. 

Of course, this could be applied to any small town with little to no performing arts activity being offered on a consistent basis.

Although I live in Casa Grande I have worked in the Phoenix Metro Area for the past 6 years.  I have been to and driven by numerous newly constructed performing arts centers in Mesa, Chandler, Gilbert, and Queen Creek.  Most of the time my thought is “this is too big” which is really my own assessment as to what I need vs. what that particular community needs.  However, it does seem pretty odd that in those particular locations it may be just that.

Using Chandler’s performing arts center as an example, and oh, by the way, this is simply my opinion and I am certainly prepared to be proven wrong, I never got the sense that it is actually cultivating local artists, which is really a shame. 

I understand the financial draw of a nationally known act being scheduled for a run but the balance doesn’t appear to be there to grow local artists. I’m sure this can be applied to many places and is not intended to call out a particular venue. 

Why is that my perception?  I think that organizations focus too much on funding to build structures and bring acts in and not the education and performance opportunity for local talent. 

There are exceptions to this of course.  Valley Youth Theatre has built a solid reputation for cultivating young talent; Space 55 Theatre Ensemble continues to bring original works, often developed in house and The Torch Theatre has been cultivating long form improvisation for the past few years and opening their own space this summer.

Another article shared by Carrie Vargas and written by Lauren Gunderson defines theater as a simple system:

Actor + Audience + Story = Theater. 

There is nothing else like that live experience, nothing. 

I love the internet and what it provides as far as connecting and information; social media fascinates me but nothing does it more for me than that connection made between actors and audience in a live performance. 

Here is a sad truth, at least in my mind. 

Those organizations that build beautiful new spaces, get or have access to funding are run by people that somehow forgot, never knew or have complicated that simple system: Actor + Audience + Story = Theater. 

I have had tremendous anxiety and frustration with the “powers that be” regarding that formula.  It always gets skewed and twisted and overridden because some egg head accountant type says “this doesn’t wash” or whatever jerky summation they have that says “you can’t do this”. 

Well, I am here to say, if I believe in that simple system then nothing should stand in the way of cultivating the arts in my community, with quality and integrity as critical ingredients. 

I love to work with the actor, helping them get to that place that transforms them, even on the smallest scale.  When the light bulbs come on I get rewarded.  When someone says “I never thought I could do this” and then they do, that is what drives me.  I love to connect as an actor, to challenge myself to see stories and characters from a different perspective. 

I believe that regular everyday people have the right to exercise their creative muscles on a regular basis.  Not to be satisfied with the occasional small part in the annual Christmas Play but to grow and to stretch those muscles; this brings life to so many other areas of our community. 

With the launch of BlackBox Productions, LLC my partner JJ Freyermuth and I hope to build on those ideas. 

What drives you?

I am an eighth grade English teacher. In the past year, I attended two different conferences on two different subjects in which the presenter recommended the book Mindset by Carol Dweck. It was available at my local library, so I thought I’d give it a try.

I started reading with an educator’s eye, but the further I got, the more my mind started drawing comparisons to my interest in improvisation. The author explains that there are two basic mindsets—fixed and growth. If you have a fixed mindset, you see your skills and intelligence as things you can’t change. If you have a growth mindset, you believe you can improve your skills and intelligence, and you see criticism is an opportunity to better yourself.

How does this apply to improv? I completed a four-course improvisational theater program through The Torch Theatre in Phoenix. After graduation I joined several troupes, with whom I rehearse and perform regularly. I’ve had some awful shows and some great ones, but I feel that ever since I took my final Torch class my skills have steadily declined. I need feedback to know that I am learning and growing as an improviser.

Will there ever be a point at which I can’t learn anything more from an improv class? Maybe, but I have a growth mindset, so the more classes I take and the more feedback I get, the more I learn about life. Taking these classes improved my acting, public speaking, and job skills; how can I ever have too much of that?

My suggestions to you are: One, read this book. Two, take an(other) improv class. At the very least, you’ll learn some things about yourself. At the most, you’ll fall in love with it and become a life-long student of improv.